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Different artwork has recently emerged in art galleries worldwide, drawing interest. Many artists have started to use a new technique—creating artwork derived from Renaissance techniques and works. Their paintings are interesting because they combine the traditional elements with modern elements that are common today.

“In the Heart of the Beholder,” an art exhibition by RoFA that started in June, exhibits the work of ten contemporary Latin-American artists. Many of their pieces in the gallery use ideas and techniques from the Renaissance to express their views. Spanish painter Salustiano uses a traditional Renaissance art technique of crushing cochineal beetles to obtain a bright red color for his paintings. Salustiano’s art has a unique style; he draws portraits of people from different races and age groups and always includes a single-colored circle in the background.

Another artist, Walterio Iraheta, creates paintings and photographs that replace traditional painting figures with toy characters found in Mcdonald’s Happy Meals. He conveys the relationship between his country Mexico and the U.S. by choosing to draw toys found in Mexican stores that are secondhand from the U.S. Fabian Ugalde uses the power of digital resources to change up traditional paintings like the “Girl with a Pearl Earring.” His works create a fascinating illusion for the human eye when seen from further away, depicting blurry artwork. The paintings consist of many identical images of the facial features placed very close to one another, making the painting seem pretty scary up close.

Artists have also used other references to create personalized artwork, not just focusing on the Renaissance. Matt Neuman, for example, developed his vivid artworks concerning op art and acid-rock graphics in the 1960s. He uses geometric designs and contrasting colors in his abstract paintings, making the artworks pop out. The artworks are usually symmetrical, taking the form of an X, rounded figures, or a butterfly shape. Fleurette Estes showcased the culture of the Navajo in her work because of her connections with the Navajo reservation in Utah when she was young. Her photography collection capturing the stunning and vivid landscape of the Monument Valley area inside the reservation is named “Behind the Loom: The Legacy, Heritage & Resilience of Navajo Weaving.” Her photos’ subjects are looms and other Navajo weaving items, inspired by Estes’s stepmother and sister, who are prominent Navajo weavers. The leaders of the project plan to give earnings to the program “Adopt-a-Native-Elder” to help elderly Navajo weavers continue their work.

Sources: https://www.washingtonpost.com/arts-entertainment/2022/07/29/art-gallery-shows-dc-area/

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