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Ever since Cornelia Parker was a young girl, she loved turning valuable items into works of art. What started from placing coins on a nearby railroad and watching them get crushed, soon turned into destroying thousands of objects to produce enormous exhibits. As Cornelia Parker grew older, she developed a mind packed with an imagination that would assist with her diverse artistic productions.

“The Tate owns all my major works, so they just had to get them out of the old archive. I’ve got a piece where I wrap Rodin’s The Kiss up in string. They own The Kiss, and they’ll allow me to re-enact my work.” By re-enacting, Parker reveals unseen views of familiar works of art. For example, in 2003, she used French sculptor Auguste Rodin’s The Kiss—which depicts adulterous lovers—and wrapped it with a mile of string, creating The Distance. By covering and emphasizing the details of Rodin’s work, the string unveils a different portrayal of the carving.

Parker talked about the roots of her inspiration for Cold Dark Matter, her most notable work, saying, “I like shadows and things that are shiny, the opposite of shadows. I’ve always liked nocturnes. The first time I really used lights was my exploded shed. I wanted to make a work with a light source. It’s linked to explosion – the flash – so that’s where the light first appeared.” Cold Dark Matter uses the fragments of everyday possessions to mimic the energy of an everlasting explosion. The materials are suspended by invisible filaments with a lightbulb in the middle to create the effect of an explosion taking place.

Cornelia Parker’s compositions use a unique method to give people a new perspective of the world around them. Her art has allowed people to think deeper, and her displays have allowed society to explore her masterpieces.

Link: https://www.bbc.com/culture/article/20220621-cornelia-parker-the-artist-who-likes-to-blow-things-up

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