On June 6th, 2024, John Wilmerding, a well respected figure in American art, passed away in Manhattan due to congestive heart failure. Wilmerding did many amazing things during his lifetime, spreading positive influence and inspiration to all.
During the 1960s, art was not as well respected as it is now. European art, such as works made during the Renaissance, was more of interest; American art, not so much. Many people during his time believed that American art just didn’t hold as much charm compared to traditional European art, claiming that it was “culturally behind.”
As a result, textbooks and materials presented in educational environments never once mentioned American art, not until Wilmerding, at least. In the New York Times article, “John Wilmerding, Who Helped Give American Art an Identity, Dies at 86,” it states that Wilmerding was able to educate those around him by creating art exhibitions that contained impressive works.
Some of these exhibits, like “American Light: The Luminist Movement, 1850-1875,” were even shown in the National Gallery in London. According to Paul Richard, an art critic writing in the Washington Post, this particular showcase of Wilmerding was “the best American painting show ever offered to the public by the National Gallery of Art.”
Likewise, one of the many ways Wilmerding aimed to spread his influence was through the books that he published. His books contained a plethora of American artistic collections, often highlighting features and discussing various techniques used in said pieces. Using his books to communicate, he “brought American art to the forefront.”
Aside from that, Wilmerding often incorporated features into his art pieces that were never seen before. These usually included vivid, bright colors that brought his paintings to life; some say they could feel the light radiating from his works.
Understandably, Wilmerding’s passing has brought grief upon many. His ideologies brought American art to the light, earning it the recognition it deserves. Although he has passed, it is safe to say that his ideas have indeed not left the world. Because of Wilmerding’s efforts, the basic building blocks of success have been established; what can the future hold for American artists?
During the 1960s, art was not as well respected as it is now. European art, such as works made during the Renaissance, was more of interest; American art, not so much. Many people during his time believed that American art just didn’t hold as much charm compared to traditional European art, claiming that it was “culturally behind.”
As a result, textbooks and materials presented in educational environments never once mentioned American art, not until Wilmerding, at least. In the New York Times article, “John Wilmerding, Who Helped Give American Art an Identity, Dies at 86,” it states that Wilmerding was able to educate those around him by creating art exhibitions that contained impressive works.
Some of these exhibits, like “American Light: The Luminist Movement, 1850-1875,” were even shown in the National Gallery in London. According to Paul Richard, an art critic writing in the Washington Post, this particular showcase of Wilmerding was “the best American painting show ever offered to the public by the National Gallery of Art.”
Likewise, one of the many ways Wilmerding aimed to spread his influence was through the books that he published. His books contained a plethora of American artistic collections, often highlighting features and discussing various techniques used in said pieces. Using his books to communicate, he “brought American art to the forefront.”
Aside from that, Wilmerding often incorporated features into his art pieces that were never seen before. These usually included vivid, bright colors that brought his paintings to life; some say they could feel the light radiating from his works.
Understandably, Wilmerding’s passing has brought grief upon many. His ideologies brought American art to the light, earning it the recognition it deserves. Although he has passed, it is safe to say that his ideas have indeed not left the world. Because of Wilmerding’s efforts, the basic building blocks of success have been established; what can the future hold for American artists?