The British artist Cornelia Parker is an artist who blows stuff up. Her affinity for transforming violence into art goes back to her childhood. She grew up with two sisters and a physically abusive father on a smallholding in Cheshire in the 1960s. In her spare time. she would place coins on nearby railway tracks to watch them violently transformed into a more precious work of art.
Since then, she has produced some of the most arresting works in contemporary art, such as blowing everyday items up and even putting snake venom on the guillotine’s blade that chopped off Marie Antoinette’s head.Do these outrageous acts of destruction qualify as art? I think yes because it has its beauty.
According to BBC, “In 2003, she intervened in French sculptor Auguste Rodin’s iconic marble depiction of adulterous lovers from Dante’s Inferno – among Tate’s many treasures – by wrapping the famous marble canoodle in a mile of string, and wryly rechristening it The Distance (A Kiss with String Attached).” This action opened viewers’ eyes to new interpretations, making it more beautiful than it already is; I think we can all call that art. This also calls back to a famous prank played by the pioneering French avant-garde artist Marcel Duchamp, who used the same length of string to web the inside of a museum that displayed works of his fellow surrealists in 1942.
Her most well-known piece is Cold Dark Matter: An Exploded View. She used shattered contents of a garden shed that she blew up. It shows the exploding view with things suspended in midair. The light in the middle is the explosion giving the room hallucinating shadows on the wall. This is a beautiful art that matches many contemporary pieces. Such as random paint on canvases.
In conclusion, the British artist Cornelia Parker isn’t just a woman who blows stuff up but an artist who makes beautiful and complicated pieces.
Since then, she has produced some of the most arresting works in contemporary art, such as blowing everyday items up and even putting snake venom on the guillotine’s blade that chopped off Marie Antoinette’s head.Do these outrageous acts of destruction qualify as art? I think yes because it has its beauty.
According to BBC, “In 2003, she intervened in French sculptor Auguste Rodin’s iconic marble depiction of adulterous lovers from Dante’s Inferno – among Tate’s many treasures – by wrapping the famous marble canoodle in a mile of string, and wryly rechristening it The Distance (A Kiss with String Attached).” This action opened viewers’ eyes to new interpretations, making it more beautiful than it already is; I think we can all call that art. This also calls back to a famous prank played by the pioneering French avant-garde artist Marcel Duchamp, who used the same length of string to web the inside of a museum that displayed works of his fellow surrealists in 1942.
Her most well-known piece is Cold Dark Matter: An Exploded View. She used shattered contents of a garden shed that she blew up. It shows the exploding view with things suspended in midair. The light in the middle is the explosion giving the room hallucinating shadows on the wall. This is a beautiful art that matches many contemporary pieces. Such as random paint on canvases.
In conclusion, the British artist Cornelia Parker isn’t just a woman who blows stuff up but an artist who makes beautiful and complicated pieces.
